The musical comedy “West Bank Story:” Israeli and Palestinian families in laughter and conflict.
Written by
Chiara Onger

An Oscar night full of surprises saw the award for best short subject
go to the musical comedy “West Bank Story” by Ari Sandel, a California
director with an American mother and an Israeli father. The score is by
Yuval Ron, an Israeli composer who lives in Los Angeles, who combined
Arabic and Israeli musical styles with jazz. “Oh my god!” said the
director as he held the statue, explaining that he had wanted to make a
“film about peace and hope.”
An Unlikely Love. The story is set in the West Bank, but isn’t about
the gun battles, death, or terror attacks that fill the daily papers.
Instead it tells of the unlikely love affair between an Israeli soldier
and a sweet-natured Palestinian cashier, and the rivalry between their
families, each of which runs a food stand, one selling falafel and the
other, hummus. The power of love leads to the destruction of both the
Kosher King and the Hummus Hut, but finally the two families unite to
meet the overwhelming demand for their products from local inhabitants.

Points of View. During an interview with the leading daily Haaretz,
director Sandel, an activist for Peace Now, affirmed that he has always
been interested in politics, especially the “Middle East Conflict,”
visiting Israel, Palestine, and Turkey, and watching “about 100”
documentaries on the subject, which provided a lot of precious
information but only a partial view of the reality. That’s why he
decided to create a musical to represent both the Israeli and the
Palestinian viewpoints.
Laughter for Peace. The director explains that music and songs “make
the subject more accessible,” and that it’s far easier to watch Jews
and Arabs dance than shoot one another. He added, “I wanted the film to
do three things: attract attention, make people laugh, and present a
balanced position in favor of peace.” His noble goals allowed Sandel to
make a film that captured the attention not only of the Academy jury,
but led to invitations from twenty-three film festivals.